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In her soundwalking article (Sound Heritage 3(4), 1974: 18-27), Westerkamp says: "Close to the fountains you will find a metal sculpture ("Knife Edge" by Henry Moore). Explore it visually as well as acoustically. It consists of two pieces both of which have a different structure. Do they also differ in their sounds? What other relationships can you find between its form and its sounds?" We asked a group of young people passing by to play the sculpture. You can see them here in this photo. Listen to how the resonances change as Hildi circles the players.
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